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書法藝術(shù),同樣講究和強調(diào)線的表現(xiàn)力。它在藝術(shù)特征方面,與陶瓷藝術(shù)的聯(lián)系,兩者有著驚人的相似之處。首先,從書法藝術(shù)的審美特征來看,它是實用性與藝術(shù)性相統(tǒng)一、再現(xiàn)與表現(xiàn)、狀物與抒情相統(tǒng)一的藝術(shù)。它無色而具圖畫的燦爛,無聲而有音樂的和諧,來自自然形象而又遠離了自然形象。
另外,繪畫藝術(shù)、書法藝術(shù)和陶瓷藝術(shù)還有一個共同特征:它們都不適宜于表現(xiàn)持續(xù)性的情節(jié)性的事件,而長于表現(xiàn)一動作瞬間,并在動作瞬間內(nèi)創(chuàng)造出頗富生命力和表現(xiàn)力以及想象力的藝術(shù)形象。
這雖然說的是繪畫,但適用于陶瓷藝術(shù)和書法藝術(shù),而且,這正是這兩種藝術(shù)的特征之一,書法藝術(shù)表現(xiàn)得更甚,盡管書法要求"每為一字,各象其形,"要"若坐若行,若飛若動,若往若來,若臥若站,若愁若喜,若蟲食木葉,若利劍長戈,若強弓硬矢,若水火,若云霧,若日月,"盡管要求書法藝術(shù)要有如"懸針垂露之異,奔雷附石之奇,鴻飛獸駭之姿,鸞舞蛇驚之態(tài),絕巖身峰之勢,臨危據(jù)槁之形,或重若崩云,或輕如蟬翼之則泉注,頓之則山安;纖纖乎似初月之出天崖,落落乎猶眾星之列河漢",但它畢竟是一種抽象性、表現(xiàn)性、虛擬性的藝術(shù)。
陶瓷藝術(shù)家們,或許從這種比較中,獲得對陶瓷藝術(shù)特征的更深入、更完整的理解,以加強陶瓷的表現(xiàn)性和抒情性,創(chuàng)作出更加有審美力度和審美價值的作用。 (圖/文tujian.net.cn)
中譯英:
The art of calligraphy, about the same and emphasizes the manifestation of the lines. Its artistic characteristics, and Ceramic Art Association, which bears a striking resemblance to. First of all, from the aesthetic character of the art of calligraphy, it is practical and artistic unity, reproduction and representation, shape object and unified art lyric. It is colorless and a picture of splendid, silent and the harmonious music, from the natural image and away from the natural image.
In addition, the art of painting, calligraphy and ceramic art has a common characteristic: they are not suitable for the performance persistence of episodic events, rather than the performance of a moment of the action, and at the moment of the action to create a rich vitality and performance as well as the imagination of the art image.